How I got started in calligraphy

I have early memories of seeing my mom sign her checks with a flourish. 

I loved the flow of her confident pen, and the practical beauty.

But ...

• Calligraphy felt intimidating - so many angles and rules! 

• And, it felt lonely. I couldn't find anyone at my hobby store who knew what a B-nib was.

So, it would be YEARS before I picked up a pen holder.

Then, modern calligraphy started showing up—on packaging, in logos. The styles were more relaxed, organic. Surely, I can do THAT.

I was especially mesmerized by videos online — only to be dismayed by own attempts. 

(You too?! Yep, we're normal.)

Over time, I found my way to real learning - including the Utah Calligraphic Artists and the IAMPETH international association.

I’ve studied with master penmen, including the former Chief Calligrapher at the White House, and become part of a generous, growth-minded community.

I'm still learning. Always.

(That B-Nib? It has a rounded tip. Think Disney logo.)

And though I'm still intimidated at times, it's part of the fun.

Today, my work blends modern and traditional calligraphy, rooted in Copperplate and foundational hand. 

I love a good flourish—but I also love clarity, readability, and connection.

This is where it connects back to my work in marketing and PR:
I’ve spent years helping brands communicate. Calligraphy is just another way to do that—more personal, more human, and harder to ignore.

When I’m not experimenting with new pens and inks, you’ll find me hiking in Cache Valley, chasing sheep on our hobby farm, or carpooling kids to water polo and concerts.