How I got started in calligraphy

I have early memories of seeing my mom sign her checks with a flourish. 

I loved the practical beauty and flow of her confident pen.

But ...

• Calligraphy felt intimidating - so many angles and rules! 

• And, it felt lonely. I couldn't find anyone at my hobby store who knew what a B-nib was.

So, it would be YEARS before I picked up a pen holder.

Then, modern calligraphy started showing up—on packaging, on shirts, in logos. The styles were more relaxed, organic. "Surely, I can do THAT."

I was especially mesmerized by videos online, only to be disappointed by own attempts. 

(You too?! Yep, normal.)

Over time, I found my way to real learning, including the Utah Calligraphic Artists and the IAMPETH international association.

I’ve studied with master penmen, including the former Chief Calligrapher at the White House. I'm now part of a generous, growth-minded community.

And I'm still learning. Always.

(That B-Nib? It has a rounded tip. Think Disney logo.)

And though I'm still intimidated at times, it's part of the fun.

Today, my work blends modern and traditional calligraphy, rooted in Copperplate and foundational scripts. I love a good flourish—but I also love clarity and connection.

This is where it connects back to my work in marketing and PR:
I’ve spent years helping businesses connect with customers. Calligraphy is just another way to do that — more personal, more human, and harder to ignore.

When I’m not experimenting with new pens and inks (and listening to Chicago songs), you’ll find me hiking in Cache Valley, picking weeds on our hobby farm, or carpooling kids to water polo and concerts.